Kojo Yakei is promoted as a social experience, a night out, and not as an educational or informational tour. Some cruises provide buffet dinners, others cocktails. What they all offer is a spectacle. An alternate son et lumièreto the neon and electric cityscape. At night security lights, office lights, portacabin lights and perimeter lights illuminate industrial megastructures on a Blade Runner scale. Smoke rising from chimney stacks adds to the effect. On one boat tour in March it snowed but we still stood out on the deck trying to take as many photos as possible. Kojo Yakei offers what we in the West call the industrial sublime and on these nights, I am factory struck (not love struck or star struck).
The boats tend to slow down and stop opposite particularly well-lit structures (sometimes accompanied by clapping and cheering) before bypassing dark factories for another illuminated colossus. It is difficult to take good photographs from a rocking, moving boat in low light. I spent much time on the first few tours experimenting with different camera settings and these sets of photos are mostly light strobed images or blurry shots. Very few take serious camera kit on these tours, but the boats slow down to enable participants to take photos, as best they can, with their smartphones, or to capture a factory selfie. The photography is an important element of the social experience of the tour. I plan to take photographs from the shore of the Kojo Yakei boats going past, lit up by the cabin light and the flickers of light from smartphones.
Most boat tours take an hour. However, a boat and bus tour around Himeji city was four hours long. The bus pulled up opposite a spectacular chemical plant and we spent around 20 minutes taking photographs through the wire fencing. The plant next door was in darkness and no one was paying it any attention. I strolled down the road the short distance to take a look at it. The bus driver must have noticed my interest for when I returned to the group he said to me ‘we have asked them to put their lights on for us.’
Ken Oyama and Tetsu Ishii (2007) Kojo Moe. Tokyo Shoseki
Originally posted as a guest blog on MMU Light Research on January 23 2015